Page 125	11-15
	Bach, Brandenburg Concerto No. 5, first movement
	Ritornello form, 9 min., 57 sec.

			Ritornello			Complete ritornello is played by the orchestra, forte: bright and emphatic
			Solo			Harpsichord, flute, and violin in a contrapuntal texture (often in trio style). Includes faster rhythms; the soloists play new themes and also play some of the motives from the ritornello
			Ritornello (first phrase)			Orchestra, f
			Solo			Similar material to that of the first solo
			Ritornello (middle phrase)			Orchestra, f
			Solo			Similar solo material
			Ritornello (middle phrase)			Orchestra, f; minor mode
			Solo			Similar solo material at first, then fast harpsichord runs are introduced.
			Ritornello (middle phrase)			Orchestra, f
			Solo			This solo leads directly into the central solo.
			Central solo			Quiet flute and violin dialogue (accompanied by the orchestra, p) is largely in the minor mode. The music is less motivic, and the harmonies change less rapidly than before.
						Detached notes in cello, flute, and violin; sequence
						Long high notes prepare for the return of the ritornello.
			Ritornello (first phrase)			Orchestra, f
			Solo
			Ritornello (first and second phrases)			Orchestra, f; this ritornello section feels especially solid be- cause it is longer than the others and in the tonic key.
			Solo
			Ritornello (middle phrase)			Orchestra, f
			Solo			Fast harpsichord run leads into the cadenza.
			Harpischord cadenza			Section 1: a lengthy passage developing motives from the solo sections
						Section 2: very fast and brilliant
						Section 3: long preparation for the anticipated return of the ritornello
			Ritornello			Orchestra, f, plays the complete ritornello.