 |  | |
|
| | (Note: d/c stands for
deceptive cadence.) |
  
|
|
| | MAIN THEMATIC GROUP (a d/c
B): dynamics pp, surge to f, back to p
|
|
| | ![[Play]](images/play.gif) | |
a in 3-fold
sequence | | | With fermatas (long gaps)
|
|
| | ![[Play]](images/play.gif) | |
d/c | | |
Deceptive cadence, f: French horn |
|
| | ![[Play]](images/play.gif) | |
B |
| | B followed by extension: cellos
|
|
| | ![[Play]](images/play.gif) | |
d/c | | |
(different deceptive cadence) |
|
| | ![[Play]](images/play.gif) | |
C |
| | Descending sequence |
|
| | ![[Play]](images/play.gif) | |
|
| | Momentary low trombone motive
|
|
| | B WITH NEW
EXTENSIONS |
|
| | ![[Play]](images/play.gif) | |
B |
| | B followed by extension
|
|
| | ![[Play]](images/play.gif) | |
|
| | Quieter material; strings answered by strings
and woodwinds |
|
| | ![[Play]](images/play.gif) | |
d/c | | |
(different deceptive cadence) |
|
| | ![[Play]](images/play.gif) | |
C | | |
Descending sequence |
|
| | ![[Play]](images/play.gif) | |
|
| | Trombone motive |
|
| | ![[Play]](images/play.gif) | |
B |
|  |
Big surge begins |
|
| | ![[Play]](images/play.gif) | |
B again,
overlapping |
| |
|
| | RETRANSITION
PASSAGE | | (bass is more static)
|
|
| | ![[Play]](images/play.gif) | |
|
|
New, excited string music |
|
| | ![[Play]](images/play.gif) | |
y in 3-fold
sequence | | y is first heard in the oboe
|
|
| | ![[Play]](images/play.gif) | |
d/c - B
overlaps | | Louder and louder: ff
|
|
| | ![[Play]](images/play.gif) | |
x, a
| | Climactic horn calls:
preparation for: |
|
| | ENTIRE THEMATIC GROUP
dynamics ff down to p and pp
|
|
| | ![[Play]](images/play.gif) | |
a in 3-fold
sequence | | | Varied, and with the gaps filled
in |
|
| | ![[Play]](images/play.gif) | |
d/c | | |
Deceptive cadence, as at first, but p |
|
| | ![[Play]](images/play.gif) | |
B fragments
|
| | Varied; minor-mode coloration drum roll
|
|
| | ![[Play]](images/play.gif) | |
a, 2-fold
sequence | | | Varied (English horn)
curtain goes up |