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| | ![[Play]](images/play.gif) | | A (Tune) | | | The
entire tune is presented. |
 

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| | ![[Play]](images/play.gif) | | a
| | | Solo violin, with double stops
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|
| | ![[Play]](images/play.gif) | | a
| | | Orchestra |
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| | ![[Play]](images/play.gif) | | b
| | | Solo violin |
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| | ![[Play]](images/play.gif) | | a'
| | | Orchestra |
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| | ![[Play]](images/play.gif) | | | | | The solo
violin begins the cadences ending the tune, which lead into a
transition. |
|
| | ![[Play]](images/play.gif) | | | | | Fast
scales prepare for B (solo, pizzicato accompaniment).
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|
| | ![[Play]](images/play.gif) | | B (Episode 1) | | | Melody (emphatic upward scale) in
the violin, with inverted motive below it, in the orchestra
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|
| | ![[Play]](images/play.gif) | | | | | Melody
in the orchestra, with inverted motive above it, in the violin
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|
| | ![[Play]](images/play.gif) | | | | |
Cadential passage (orchestra), f |
|
| | ![[Play]](images/play.gif) | | A' (Tune) | | | Phrase
a (solo) Phrase a" (orchestra)
| | | ![[Play]](images/play.gif) | | | | |
Transition (orchestra and solo), p
| | | ![[Play]](images/play.gif) | | C (Episode 2) | | | Lyrical
tune (solo and orchestra), p
| | | ![[Play]](images/play.gif) | | | | |
Expressive climactic section, solo
| | | ![[Play]](images/play.gif) | | | | |
Orchestra interrupts, f. |
| | | ![[Play]](images/play.gif) | | | | | Scales
prepare for B (solo, pizzicato accompaniment). |
| | | ![[Play]](images/play.gif) | | B | | | Scale
melody in the solo violin, as before |
| | | ![[Play]](images/play.gif) | | | | | Scale
melody in the orchestra, as before |
| | | ![[Play]](images/play.gif) | | | | |
Cadential passage in the orchestra, f |
| | | ![[Play]](images/play.gif) | | A" (Tune) | | | Starts
with b (solo) |
| | | ![[Play]](images/play.gif) | | a'
| | | In orchestra, extended; the real
feeling of "return" comes only at this point. |
| | | ![[Play]](images/play.gif) | | Short cadenza | | | Solo,
double stops again; orchestra soon enters. |
| | | ![[Play]](images/play.gif) | | | | | Solo
trills and scales; motive |
| | | ![[Play]](images/play.gif) | | | | | Passage
of preparation: motive in low French horns
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| | | ![[Play]](images/play.gif) | | Short cadenza | | |
|
| | | ![[Play]](images/play.gif) | | Coda | | | Mostly
in 6/8 time. Starts with a marchlike transformation of phrase a
(solo), over a drum beat |
| | | ![[Play]](images/play.gif) | | | | | B
briefly interrupts. |
| | | ![[Play]](images/play.gif) | | B | | |
|
| | | ![[Play]](images/play.gif) | | | | |
Final-sounding cadences |
| | | ![[Play]](images/play.gif) | | | | | The
music dies down and ends with three loud chords. |
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