|  Page 3346 CD Set, Disc 5
21-40
     Bartók, Music for Strings, Percussion, and Celesta, complete work (Allegro)
     27 min., 17 sec.
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   FIRST MOVEMENT (Andante tranquillo: fugue) starts pp, with mutes on all the string instruments
















































  [Play]       Countersubject
  [Play]   Fugal exposition    Viola
  [Play]       Vn 2
  [Play]       Cello
  [Play]       Vn 1
  [Play]       Bass
  [Play]  Episode 1    Short slow crescendo
  [Play]   Stretto    Vn 1
  [Play]       Cello slow crescendo
  [Play]   Episode 2    Using fragments of the subject; mutes off; cresc. to f
  [Play]  (Textural break)   First climax, ff: percussion enter
  [Play]      Second climax, fff: single high note, downward scoops
  [Play]       Fragments of inverted subject announced, fff, then mf, p:
mutes on again
  [Play]   Stretto    Inverted subject: violin 2 (muted), then viola, then violin 1 + cello
  [Play]   Combination    Celesta enters: subject (above) + inverted subject (below)
  [Play]       Fragments of subject and inverted subject; "converging" cadence
   SECOND MOVEMENT (Allegro: sonata form: see page 332)
  [Play]   Exposition     
  [Play]   Development     
  [Play]   Recapitulation     
  [Play]   Coda     
   THIRD MOVEMENT (Adagio: arch form)
  [Play]   A    Introductory: xylophone and pedal timpani, viola and violin ruminations
  [Play]       (Background cue: fugue subject: a) low strings
  [Play]       B    More oscillations: celesta and solo violins. Background trills, pp
  [Play]          C  (Background cue: fugue subject: a') strings (after a brief recollection of A)
Further slow oscillations. Background glissandos.
Crescendo f
  [Play]       Piano: new motive in 5/4 meter, f--faster, climactic
  [Play]      (Background cue: fugue subject: b') strings
  [Play]       B    B melody now in canon
  [Play]       (Background cue: fugue subject: b2) celesta and piano
  [Play]   A    Terminal: violin and viola ruminations, xylophone, pedal timpani
   FOURTH MOVEMENT (Allegro molto: rondo form)
  [Play]   A    With a pizzicato "preface"
  [Play]       B    Timpani launch a repetitive theme: piano and pizzicato strings
  [Play]   A     
  [Play]         C     
  [Play]  A'    Piano; theme is transformed
  [Play]           D    Timpani launches another folklike theme
  [Play]   A"    Piano; extension of A'
  [Play]             E     
  [Play]   B    Piano
  [Play]       Transition
  [Play]   Original fugue subject   Transformed; slower tempo strings
  [Play]      Fragments in inversionalone
  [Play]               F    Cello solo--reference to the third movement (the string solos in A)
  [Play]   A'''    In various transformations
| [Stop]   [Eject]
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